Play Along Piano

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Bach

G Minor Bach

2:38	Est. Play Time
66	Measures
	1,377Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	3	4	6	100%
	24	23	6	6	100%
PianoVoorslagen	3	0	0	2	3%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	3	4	6	100%
	24	23	6	6	100%
PianoVoorslagen	3	0	0	2	3%

Ich steh' an Deiner Krippen hier

Großer Bachist

0:43	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	1	5	100%
Bass	12	0	0	4	100%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	1	5	100%
Bass	12	0	4	100%
Contrabass	14	0	4	100%
Euphonium	12	0	4	100%
Flute	14	0	5	100%
Soprano	7	0	3	100%
Tenor	8	0	4	100%
Violin	15	1	6	100%
Violoncello	14	0	5	100%
Oboe	7	0	2	31%

J.S.Bach: Chorale: Zion hört die Wächter singen (BWV 140 #4), Continuo realization exercise by BSG

BSG

4:22	Est. Play Time
75	Measures
	1,889Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	21	0	7	6	100%
Realization	17	66	3	4	99%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	21	0	7	6	100%
Realization	17	66	3	4	99%
Continuo	20	0	5	3	99%
Violoncello	20	0	5	3	99%
Tenors	10	0	0	6	45%

14 Canons on the Goldberg Ground BWV 1087

StephenM

8:12	Est. Play Time
143	Measures
	1,217Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	29	0	6	5	93%
	32	0	8	5	96%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	29	6	5	93%
	32	8	5	96%
	24	3	4	69%
	22	3	5	46%
	10	0	3	23%

Cantata: Wachet auf, ruft uns die Stimme | J.S. Bach, BWV 140

Barock

0:44	Est. Play Time
73	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	0	0	3	19%
	4	0	0	1	38%
View all 13 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	0	3	19%
	4	0	1	38%
	9	0	4	23%
	8	0	3	27%
B.c.	19	3	4	100%
Violino I	22	5	6	100%
Oboe I	14	2	6	96%
Viiolino	22	5	6	92%
Oboe II	12	0	5	77%
Taille	11	0	5	77%
Viola	13	1	5	73%
Violino II	12	0	5	73%
Corno	5	0	1	38%

Wachet auf, ruft uns die Stimme, BWV 645.

SDG

3:57	Est. Play Time
56	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	21	7	7	100%
Pedal	21	6	3	99%
Violoncello	10	0	9	48%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	21	7	7	100%
Pedal	21	6	3	99%
Violoncello	10	0	9	48%

Sonata D major for Trumpet and Organ

Eleazart 4

4:18	Est. Play Time
174	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Órgano	25	37	9	6	94%
	9	0	0	1	4%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Órgano	25	37	9	6	94%
	9	0	0	1	4%
	29	27	9	6	99%
Trompeta piccolo	22	0	8	5	64%

J. S. Bach: Dona nobis pacem (BWV 232 final mvt)

BSG

3:12	Est. Play Time
46	Measures
	2,802Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1	12	0	2	4	98%
	14	0	3	5	93%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1	12	0	2	4	98%
	14	0	3	5	93%
	22	1	6	5	100%
	15	0	3	5	100%
CtoR	17	45	4	7	100%
	18	0	5	6	100%
Tenor	15	0	3	5	100%
Alto	12	0	2	4	98%
Continuo	20	1	6	5	98%
Contrabass	20	1	6	5	98%
Bass	19	0	6	5	93%
Flute	14	0	3	5	93%
Soprano	14	0	3	5	93%
Oboe	18	34	5	6	82%
Trombe 1 amp;amp; 2	11	0	1	5	51%
Timpani	2	0	0	5	22%
Tromba 3	11	0	1	5	22%

Sleepers, Wake! - Accompanied Mixed Chorus

Jesse David Sykes

4:08	Est. Play Time
75	Measures
	2,148Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
BaccidentalFlat Cornet	21	0	7	6	100%
Organ	17	1	3	8	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
BaccidentalFlat Cornet	21	0	7	6	100%
Organ	17	1	3	8	99%
	21	0	6	3	99%
	12	0	3	7	99%
Double Bass	21	0	6	3	99%
Alto	9	0	1	6	48%
Bass	14	0	3	3	48%
Horn	10	0	0	8	48%
Soprano	12	0	0	8	48%
Tenor	10	0	2	5	48%

Bach preludium #1: Orchestral version

Marcosà

2:22	Est. Play Time
35	Measures
	1,267Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	11	0	3	4	97%
Violin	16	0	4	3	89%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	11	0	3	4	97%
Violin	16	0	4	3	89%
Violoncello	10	0	2	2	74%
Flute	16	0	3	3	69%
B Clarinet	15	0	5	1	51%
Bassoon	7	0	0	1	46%
Contrabass	7	0	2	1	43%
F Tuba	5	0	0	1	37%
Trombone	11	0	1	3	37%
Horn	8	0	4	2	34%
Harp	15	1	2	2	31%
	9	1	1	5	21%
B Trumpet	9	0	3	1	20%
Oboe	4	0	1	2	20%
Timpani	7	0	1	3	20%

Jesus Joy of Man's Desiring by Bach, Arranged by Mark Hugo

Threespot@aol.com

2:24	Est. Play Time
72	Measures
	1,289Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II	12	0	3	3	100%
Violins I	19	0	6	5	97%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II	12	0	3	3	100%
Violins I	19	0	6	5	97%
Flutes	19	0	6	5	88%
Oboes	19	0	6	5	88%
Contrabasses	18	0	5	3	81%
Violoncellos	19	0	6	5	74%
Bassoons	18	5	1	4	56%
Clarinets in B♭	17	22	2	4	43%
Horns in F	16	6	1	5	37%
	13	12	1	4	33%
Violas	12	3	0	4	26%

12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.

SDG

0:55	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	1	0	0	1	6%
	14	0	3	5	100%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	1	0	1	6%
	14	3	5	100%
	1	0	1	6%
	14	3	5	100%
	1	0	1	6%
	16	3	4	100%
	16	3	4	100%
Soprano/Alto	14	3	5	100%
Tenor/Bass	16	3	4	100%
Contrabass	14	2	2	50%

Sei Lob und Preis mit Ehren

Großer Bachist

5:55	Est. Play Time
178	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Bratschen	20	0	7	5	100%
Bass Violoncellos	20	0	7	5	99%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Bratschen	20	7	5	100%
Bass Violoncellos	20	7	5	99%
Alt Violinen 2	15	4	5	96%
Sopran Violinen 1	8	0	3	48%